Saturday, October 6, 2012

The Wildflower


 

One morning it was just there.  It hadn’t been there the previous day, as far as I can recall.  But this morning, there it was, as if some nocturnal sorcerer had cast a spell.  A wildflower in my garden.  Bayoneted yellow petals, center-buttoned by a bronze, pixilated bud.   A Golden Ragwort, possibly, or a false sunflower; maybe a thin-leaved sunflower.  The name isn’t important.  Its presence is all that really mattered, the abrupt advent of this alien infiltrator within the landscape I had so mindfully, so vigilantly shaped and managed; this stranger in my familiar landscape; this rebellious bohemian scandalizing the well-mannered guests at my garden party;  this wild intruder, this invader and interloper, this trespasser and marauder, this uncultivated barbarian who breached the gate of my elaborately-planned, assiduously-tended garden. 

And I was perfectly OK with that.

I was OK with it because that wildflower was a shard of sun fixed on a spade-leafed stalk.  I was OK with it because that wildflower was a doubloon of burnished gold strewn by some charitable hand.  I was OK with it because that wildflower was a shout of yellow in the green murmur of my late summer, soon-to-be autumn garden.  I was OK with it because that wildflower reminded me that though we are told a garden was the site of our fall, our loss of innocence, we gained an intellect, a knowledge of true things.  Lucifer fell from heaven.  Our fall was garden-level merely.

Were my garden a mind, that wildflower would be an edict recalling the imagination from parched exile.  Were my garden a heart, that wildflower would be an unsludging odd beat, an arrhymic swashbuckle to disrupt sclerotic drift.  Were my garden a soul, that wildflower would be a spindle entwined with golden yarn to darn its robes.  Were my garden a cathedral, that wildflower would be a steeple, a spired sign of human aspiring. Were my garden an alphabet, that wildflower would be the letter before “A” or after “Z;” were it a sentence, that wildflower would transform it from simple to unparsable compound-complex; were it a word, that wildflower would be an extra syllable, a prefix to undiscipline stale discourse.  But it is a garden after all, a hybrid place, a zone of indistinction, a fist bump between artifice and nature.   The wildflower stands resolutely on the side of nature, a warning of sorts against my becoming too big for my britches, lest in my frontal-cortexed pride I forget that I, too, am a biological being, a rooted creature.

I’d like to think that wildflower chose my garden, considered it a hospitable place, a sanctuary, maybe, to stop and stay a while.  But I know its arrival was purely random, a chance deposit blown by the wind.  Still, as with genetic mutations, randomness is sometimes a strategic procedure.  “There are some enterprises,” Ishmael tells us in Moby Dick, “in which a careful disorderliness is the true method.”   A wayward seed, invisibly riding an invisible current of air, made its arcane way to my garden and took on another form, became a visible presence, an enigma made material, provoking wonder, deepening my familiar garden, reminding me to pay attention to the cryptic beauties that appear all about us, who knows why or how.  That wildflower—an ambassador from the far-off and elsewhere, from the kingdom of mystery, toward which we should travel, must travel, even though it is a kingdom in which, finally, we cannot dwell.

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