One morning it was just there. It hadn’t been there the previous day, as far
as I can recall. But this morning, there
it was, as if some nocturnal sorcerer had cast a spell. A wildflower in my garden. Bayoneted yellow petals, center-buttoned by a
bronze, pixilated bud. A Golden Ragwort, possibly, or a false
sunflower; maybe a thin-leaved sunflower.
The name isn’t important. Its presence
is all that really mattered, the abrupt advent of this alien infiltrator within
the landscape I had so mindfully, so vigilantly shaped and managed; this
stranger in my familiar landscape; this rebellious bohemian scandalizing the
well-mannered guests at my garden party; this wild intruder, this invader and
interloper, this trespasser and marauder, this uncultivated barbarian who breached
the gate of my elaborately-planned, assiduously-tended garden.
And I was perfectly OK with that.
I was OK with it because that wildflower was a shard
of sun fixed on a spade-leafed stalk. I
was OK with it because that wildflower was a doubloon of burnished gold strewn
by some charitable hand. I was OK with
it because that wildflower was a shout of yellow in the green murmur of my late
summer, soon-to-be autumn garden. I was
OK with it because that wildflower reminded me that though we are told a garden
was the site of our fall, our loss of innocence, we gained an intellect, a
knowledge of true things. Lucifer fell
from heaven. Our fall was garden-level
merely.
Were my garden a mind, that wildflower would be an edict
recalling the imagination from parched exile.
Were my garden a heart, that wildflower would be an unsludging odd beat,
an arrhymic swashbuckle to disrupt sclerotic drift. Were my garden a soul, that wildflower would
be a spindle entwined with golden yarn to darn its robes. Were my garden a cathedral, that wildflower
would be a steeple, a spired sign of human aspiring. Were my garden an
alphabet, that wildflower would be the letter before “A” or after “Z;” were it
a sentence, that wildflower would transform it from simple to unparsable
compound-complex; were it a word, that wildflower would be an extra syllable, a
prefix to undiscipline stale discourse.
But it is a garden after all, a hybrid place, a zone of indistinction, a
fist bump between artifice and nature.
The wildflower stands resolutely on the side of nature, a warning of
sorts against my becoming too big for my britches, lest in my frontal-cortexed
pride I forget that I, too, am a biological being, a rooted creature.
I’d like to think that wildflower chose my garden,
considered it a hospitable place, a sanctuary, maybe, to stop and stay a
while. But I know its arrival was purely
random, a chance deposit blown by the wind.
Still, as with genetic mutations, randomness is sometimes a strategic
procedure. “There are some enterprises,”
Ishmael tells us in Moby Dick, “in
which a careful disorderliness is the true method.” A wayward seed, invisibly riding an invisible
current of air, made its arcane way to my garden and took on another form, became
a visible presence, an enigma made material, provoking wonder, deepening my
familiar garden, reminding me to pay attention to the cryptic beauties that
appear all about us, who knows why or how.
That wildflower—an ambassador from the far-off and elsewhere, from the
kingdom of mystery, toward which we should travel, must travel, even though it
is a kingdom in which, finally, we cannot dwell.
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