Wearing sunglasses makes a person less generous,
according to researchers at the University of Toronto. Wearing big sunglasses makes a person more
less generous. And masks?
Well, forget about it: moral behavior gets heart-staked, and the id
comes stomping up the basement stairs and burst into the living room to the
tune of Romp and Circumstance.
The researchers theorize that obscuring the face,
even if only partially, loosens the inhibitions that tie us to social
convention.
Really?
Evidently, the researchers don’t remember
those sunglassed Watergate impresarios of conspiracy, perjury and
obstruction of justice, H. R. Haldeman and John Ehrlichman, on the cover on
“Newsweek” magazine. They must not have
not seen Paul Newman’s film “Cool Hand Luke;” otherwise, they’d have known
how menacing, how appallingly sinister,
sunglasses, especially mirrored ones, can be. They somehow missed all the Westerns featuring
villains with bandanas pulled up to their noses, all the bank-heist films and
their variously masked desperados. They
obviously have not read Hawthorne’s “The Minister’s Black Veil,” or they would
know the Reverend Hooper, going all Puritan-symbolic about secret sin, covers
his face in black crepe and freaks out his congregants; nor could they have
read Joyce Carol Oates’ “Where Are You Going, Where Have You Been,”
or they would know the ironically-named Arnold Friend conceals his homicidal
sadism behind aviator sunglasses. They
seem not to have learned the lesson of Burger King’s unceremonious dumping of
that sneaking creeping plastic-masked
King mascot. Nor, it seems, have
they deeply considered masked
youngsters’ extortionate Halloweenean demand
of “Trick or Treat.”
I mean, who, after all, didn’t already know what the
Toronto researchers have spent years laboring to discover? It seems to me self-evident that masks can disinhibit. After all, their sole purpose is to conceal
identity, and, human nature being what it is, people often will do or say
things contrary to social custom when anonymity indemnifies them against the
possibilities of shame and shunning. The
inward lurking Iago often emerges with the mask. But
sunglasses? Perhaps within the
parameters of the study’s design, the researchers got the result they
hypothesized. Such parameters, however,
do not reproduce a real world context and, thus, do not adequately account for our
experience and use of sunglasses as a culturally coded commodity.
Consider, for a moment, what this study tells us
about ourselves: that human nature is susceptible to a deeply
internalized bias, an intuitive shortcut for thinking. Evolution has ineradicably stamped in us a
cautionary reserve when dealing with others.
We are shaped to trust only the fully-visible face. It reduces us to helpless reaction, to the
tug of biological strings. While this may be, likely is, true, it misses
much.
The study suggests we are incapable of reflection
and judgment, that we lack the cultural awareness to recognize that, in terms
of style and brand, sunglasses can simply be worn as a fashion statement—hardly
compatible with loosening ties to social convention. People also use sunglasses to denote cool,
and while cool can indicate a detachment from or a mild disdain for the normative,
the everyday, it functions more as an affectation, more an iconography of the
wish to be perceived as defying conformity, as mysterious, as capable of
breaking bad. Sunglasses do not detach
us from social convention; they symbolize a desire to be regarded as detached,
as possessing enviable élan. Sunglasses
do not cause rebelliousness; they commodify it.
As cultural actors, we know this; we understand the use of sunglasses to
complement or achieve a look or lifestyle as a purposeful, self-aware choice
with the goal of being seen in a certain way.
We understand that sunglasses are associated with edginess, glamor,
self-possession, unflusterability. We
understand they confer an aura of intrigue, mystery. Could they, as the study asserts, induce
wearers to be less generous? Possibly,
but such a result surely restricts the complex cultural reality in which we use
and comprehend sunglasses. It offers
thin gruel in place the thick chowder of culture.
I cannot help but see this study as something like
click bait research, designed not to dispel ignorance, not to expand the
frontier of knowledge, but, rather, to be alluring enough, enticing enough, to garner
the attention of a journal eager to attract readers, to attract the popular
press and recirculate on the Internet, and to keep the research dollars
flowing. In what light should we apprehend
this study? Samuel Beckett provides an answer: “The sun shone, having no
alternative, on nothing new.”